Friday, November 29, 2013

Drawknife Rehab - Part 1

I hope that everyone had a very enjoyable and blessed Thanksgiving!

It has been all too long since I have taken the time to make a post, and for this I apologize.  It seems life happens and some things have to take a back seat.  I will be making every effort to be more consistent with my posts and hope that you find them interesting and of some use.
  
The other morning we opened the blinds to find 1 1/2" of the perfect snow.  It was everywhere except on the concrete.  There is something about fall and winter that make me want to be in the shop.  After getting the shop back in order, I was looking over three of my older drawknives and decided it was time to do something with the ugly duckling of the lot (the knife on the far left).  The handles are loose, the blade is rusted and even has a bit of a chunk out of the cutting edge.  I thought this would be a good knife to use in my first attempt at a total rehab.  Then I thought it might be interesting to share this unrehearsed attempt at making this a usable tool.


The handles on the middle knife are my preferred shape of handle.  Oddly enough one of these handles measures an 1 1/2" in the bulb while the other measures 1 3/8".  I find the smaller of the two fit very comfortably in my hand and I don't experience hand cramps or fatigue like I do with the handles on my subject knife.  That made the decision to remove the handles easy.


I have an old orange plastic handled chisel I keep around the shop for jobs such as this.  Knowing the handle tang extends the entire length of the handle I did not want to damage the edge of one of my good chisels, so broke out ole orange.  This is what I discovered.  The hole is step drilled to accommodate the transition from a tang that resembles an over grown cut nail, to round.

The fit of the ferrel and the cap were tight, as was the round portion of the handle tang.  However, as you can see, the upper or larger portion of the step drilled hole was no where close to being tight.  This brings some questions to mind (i.e. another rabbit hole to explore), but not at this time.


The next step is to remove the rust.  After a little research I have decided to remove the rust by electrolysis.  I decided to go down this rabbit hole in hopes of converting the black rust into a more stable state and removing the red rust.  This is done by passing a low voltage DC electrical current through an alkaline solution or electrolyte.  The rusted knife will be submerged into the solution acting as the cathode (negative) and the sacrificial steel will be the anode (positive).  I found the site of a gentleman by the name of Andrew Westcott that I found very enlightening on the subject.

I am now going in search of the materials needed to set up my electrolysis tank.  I do hope I have most of it hanging around the shop, I do not want to have to deal with the Black Friday traffic.  Stay tuned for Part 2.


~ Ray Schwanenberger

Saturday, June 1, 2013

What Is This Tool Before Me


This was acquired by my brother-in-law Rick at a yard sale for $3.  The seller claimed it to be a "scoop adze". 

This is a mystery to me!  This tool exhibits the tell tale signs of being made by a blacksmith. It is about 12" long from the hammer face to the end of what the seller said is an adze. 

If anyone knows what this is and has some historical data on it please let me know by posting a comment. 






Wednesday, May 22, 2013

What in the Wide World of Sports Is A Goin' On Here?

Those of you who know me, know that I can be a bit of a practical joker.  Well the last one bit me in the hind quarters.  Suffice it to say that a crank call to an old friend and colleague resulted in a job offer that I could not refuse.  So on May 6th I came out of retirement and went back to work, with a "very flexible" schedule.



In a previous post I mentioned I was able to get the dye stain on the king size bed before leaving town.  After being gone for two weeks I returned to the shop to apply the brown mahogany stain.  I applied said stain, allowed it to sit and then wipe off the excess, as per the instructions.  Much to my dismay it looked nothing like the sample board made with the exact same dye and stain.  It had a much redder appearance.  See post title for the family friendly version of my reaction.  I spent the next 2 1/2 hours with a maroon pad and water (water based stain) stripping off the newly applied stain.  

It was upon the completion of the aforementioned stripping I swore (and I mean I swore) off all woodworking except for building chairs.  It was obvious to my wonderful wife that I was in need of an intervention.  She quickly appeared at the shop door with an icy cold Land Shark and talked me off the the headboard ledge.  Two days later, an appropriate cooling off period and time to allow everything to dry completely, I was ready to attack staining again.

  
This time I stained a small area and immediately wiped off the excess.  The results were so close to the sample I deemed it a success.  After allowing the stain to dry for 24 hours, it has been quite humid here in Kentucky, I sealed it with wax free shellac.  Later today or tomorrow, I will go over the entire piece with a very fine pad and apply a thin coat of satin poly.  I did this with the sample board and the results were a semi-gloss sheen that Carol and I like.

I did say a few weeks back that the subjects of future posts might be a bit different.  Working out of town quite a bit will keep me away from my shop more than I would like.  After many a conversation with my brother-in-law Rick, I offered to help him finish setting up his shop in the evening after work.  As a result, I will have access to a "Satellite Shop" while I am away from home.  Rick is a very talented individual and artist who is not afraid to try anything.  I look forward to working in Rick's shop.  A hint of what the future may hold is pictured below.  By the way this is the result of one of those conversations.



      

~ Ray Schwanenberger

Friday, May 3, 2013

Method of Work

While I am away from the shop I have been thinking about the most efficient way of working when building case goods, beds, and things other than chairs. With Windsor chairs my process is pretty straight forward. Split the log, work the spindles to an octagon shape, shape the arm and bow (if building a Sack Back) and bend in the forms, then set to dry. Leg and stretcher billets are turned out of stock that was split and turned round to dry. While all parts dry, I carve the seat, and so on.

However, with things other than chairs, I usually put on paper my little sketch with some dimensions and into the shop I go. Man do I save time on the front end! I choose my material and I begin. I get the framework of the piece built and then build the details in accordance to what the newly constructed frame work calls for. Sounds fairly easy and straight forward does it not? Suffice it to say, things are not as they seem in my somewhat wonky mind.

With this method, I end up doing so many different machine set-ups it is unbelievable. As you can imagine this can result in minuscule discrepancies in measurement accuracy, which in turn leads to woodworker frustration, and results in me writing this blog post.

I have sought professional help for this malady and here is the advice I have received, as I heard it. Start with as accurate of a drawing as possible. Time to learn Sketch-Up! Develop a cut list, to prove the piece can be built and to purchase material. Take time and think about how to efficiently break down the material with minimal machine set-ups. THEN begin building! Build the carcass, dispose of the cut list, and finish with the remaining parts.

I hope I understand the advice I have been given but more importantly I must fight the urge to skip the prep work. I wonder if there is a support group out there?

Thursday, May 2, 2013

A Great Cause and Working At New Heights



Allow me tell you about a very good thing I was made aware of the other day.  It is a project being put together by woodworker and blogger Sam Cappo.  Sam is putting together a user set of tools, building a tool chest and then giving it all away to a deserving woodworker.  If you have any extra tools, please consider donating.  To view a list of sought after tools and all the details of this project go to Sam's blog, PlaneDetails.com



Yes this is a first, building furniture from a ladder.  I needed to let in the bed rail hardware and this was the easiest way to accomplish said task.  These rails are 82 1/2" long and there was just no other good way, that I could think of, to balance my palm router. Thank goodness it is hidden.


Because the first coat of the stain is a water based dye stain and I had done some sanding, I needed to raise the grain prior to dying/staining.  After the wood had dried I discovered these little spots.  They looked like rust spots.  I can only assume they are the result of water mixing with some type of mineral in the wood.

After I knocked the fuzz off with 320 grit paper they disappeared, and did not reappear with the first coat of dye stain.

  

Here is a look after the first coat.  I used General Finishes Light Brown Dye Stain for the first coat.  I will follow that with GF Brown Mahogany pigment stain.  This will obscure the grain to some degree but it will allow me to even out the color and hide some of the mineral stains that are within the wood.

Due to my schedule it will be a couple of weeks before I will be able to apply the second coat and top coat to finish this project.  Before I move this monster into our bedroom I will get some studio pics taken of it along with the Continuous Arm Windsor.

My next project and blog subject is going to be a bit different so stay tuned.

~ Ray Schwanenberger

Monday, April 29, 2013

Projects In The Works

I heard from a friend the other day wondering if I was still blogging about my chair making and woodworking.  Yes I am, but obviously I am not doing a very good job of it.  I get so involved in the project at hand that I totally space out on making posts about it.  So this is to catch-up on what I have been doing.


My wife and I agreed we wanted to try a different color milk paint on the Continuous Arm Windsor.  This also afforded me the opportunity to try General Finishes Milk Paint for the first time.  I am doing a two color painting, still going for a mottled look, similar to the black over red I have used on my other chairs.  The first coat, pictured above, is Federal Blue.  This will be covered with a darker Coastal Blue wash coat.  Because I am using two shades of blue, I doubt the mottled appearance will be as dramatic as the black over red.  I will post more pictures in my next post (it won't be in a month I promise) along with my thoughts on the GF milk paint. 


One of the projects on my "Honey-Do-List" is a proper bed frame for our new Sleep Number Bed.  The material is from an Ash tree that had been blown over when a tropical storm had come through our area a few years back.  The tree yielded just shy of 1000 bd. ft. of beautiful material.  This tree has provided the material for my bench, shave horse, a Welsh Stick Chair and now the king size bed and two night stands, yet to be started.  It will be interesting to see just how much furniture I will be able to make from just this one tree.


The two pictures above are the dry fitting and glue-up of the head and foot board.  I did not have material wide enough for the panels so I re-sawed the material then did the glue up.  I wanted to have an interesting, but not overwhelming, flow of the grain pattern from one panel to the next.

The glue up is almost complete.  All that is left to do is install the top boards and prep the side boards for hardware.  Then I will do one last dry fit/assembly to ensure everything is copacetic before applying the finish.  By the way Ash is a heavy wood and it is going to be an adventure getting this headboard upstairs.  Ready the ibuprofen! 

~ Ray Schwanenberger

Tuesday, March 26, 2013

Chairmaker's Mecca

For many of us who make Windsor chairs, Jonesborough Tennessee is a Mecca. Not because there is a treasure trove of antique Windsors, but because there is a treasure in Curtis Buchanan. This very unassuming and humble man has drawn many a Chairmaker, novice and experienced, to this beautiful little hamlet in the mountains of East Tennessee.

Down the gravel path, past his garden, is where the magic happens. This is where I am spending my week, learning from the man I consider to be the best. I will be writing more detailed posts on the class and my experiences during my time with Curtis, so stay tuned.